Frodsham Gallery, Frodsham, Cheshire
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Caroline Shotton

The Caroline Shotton paintings and prints that we have in our catalogue are shown below. If you would like any more information or would like to request another painting or print, please contact us.

Always And For Heffer by Caroline Shotton
Always And For Heffer by Caroline Shotton from Frodsham Gallery
Limited edition giclee, boxed canvas.

Un-framed Price : £350

Please call us on 01928 733 900.
Click to contact us about Always And For Heffer by Caroline Shotton
Have You Herd by Caroline Shotton
Have You Herd by Caroline Shotton from Frodsham Gallery
Limited edition giclee, boxed canvas.

Un-framed Price : £575

Please call us on 01928 733 900.
Click to contact us about Have You Herd by Caroline Shotton
Purple Hays by Caroline Shotton
Purple Hays by Caroline Shotton from Frodsham Gallery
Limited edition giclee, boxed canvas.

Un-framed Price : £650

Please call us on 01928 733 900.
Click to contact us about Purple Hays by Caroline Shotton
Artist Information:

I have been painting for as long as I can remember. I lived on the outskirts of London which meant I benefited from being within easy reach of London Galleries and open countryside, both of which were a source of immense inspiration to me. As an only child I had the freedom to immerse myself in my work, I also received a great deal of encouragement and guidance from my Grandmother who raised me for which I am eternally grateful.

Early influences came from the old masters. I was fascinated by their realism and throughout my school years strived perfection.

When studying at Central Saint Martins my eyes were opened to new ideas and techniques. I was captivated both by surrealism and impressionism and much of my work now combines elements from these eras.

After college I worked as a freelance artist in the commercial sector, undertaking bespoke commissions from businesses throughout the country, from large abstracts to intricate murals. I enjoyed this as every project was different and I was often asked to produce styles and subject matter I would never have dreamt of had I been alone in my studio.

When my son was born I decided to concentrate on my gallery career. It has been lovely painting without a strict brief and my work has developed immeasurably, incorporating different aspects from my past commissions with the freedom to choose my own direction.
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